Author: Felipe Vaz
Homeopathic Music w/ 1-dimensional Visual @Eufonia Lisboa 2020
I am really happy to be working again this year with the Eufonia Festival, this time in Lisbon!
Sonic Darts @Resonance FM
I’m glad to announce that my one of the pieces of the series Hino à União will be shown (in stereo format) at Resonance FM, at Gwaith Sŵn’s Sonic Darts, Feb 3rd 2020, 10 pm UTC.
New installation @Feldfünf/Transmediale Vorspiel, 18.01
On 18.01 I’ll be showing a new installation, A Sea of Acid, created for the group exhibition Ubiquitous, part of Transmediale Vorspiel 2020. More info here or on Facebook.
Homeopathic Music with 1-dimensional Visuals @ACUD Macht Neu
Looking forward to the Eufonia Festival in Berlin! I’ll be present in two ways: I will present the installative performance Homeopathic Music with 1-dimensional Visuals on November 3rd and participate in a talk with Grischa Lichtenberger, Doron Sadja and
Intervention @Fundação Iberê Camargo, Porto Alegre
On September 14th I’ll be presenting an intervention on the “Antes da Palavra” exhibition by Daniel Senise, in the gorgeous Iberê Camargo foundation building in Porto Alegre, Brazil.
Farewell To a Dying Light @Sound Propositions #1 sound-prop-desktop.png
My installation piece Farewell To a Dying Light, for fluorescent lights, tactile transducer and recorded brass, will be presented along a nice evening of concerts at Petersburg Art Space. Looking forward to see you there!
Farewell to a Dying Light @Zwinglikirche
I am delighted to announce that Zinc&Copper and me will be presenting Farewell To a Dying Light as part of the Audiovisionen concert series 25.04.2019 / Kulturraum Zwingli Kirche / 20 Uhr Audiovisionen: Zinc & Copper + Felipe Vaz (microtonal brass, fluorescent tubes + computer) Zinc & Copper was founded by Robin Hayward in 2005. A trio of horn, trombone […]
Homeopathic Music with 1-dimensional Visuals @KuLE/Transmediale Vorspiel
Please come by and join us in Lagoon Parliament’s departure! Among many other fine artists, I’ll be presenting a performance for 1-dimensional visuals and electroacoustic soundtrack during the sleepover.
Farewell UdK, and thanks for all the fish
Just handed in my dissertation Investigating Multimodal Consonance as the last requirement for my degree at the Universität der Künste Berlin. It was a nice ride! Thanks to Prof. Volker Straebel and Yutaka Makino for the orientation.
2100 on RE:FLUX, New Brunswick, Canada
2100, my collaboration with double bassist Vilhelm Bromander, is part of the RE:FLUX sound art Festival this year. Check out the schedule on the festival website below: RE:FLUX